Skip to main content
  1. Home
  2. Audio / Video
  3. Emerging Tech
  4. Legacy Archives

Why buy a house when you can buy Samsung’s 110-inch Ultra HD television?

Add as a preferred source on Google

Looking for a really big Ultra HD TV? Well, if you live in South Korea – and money is no object – you can grab one of Samsung’s outrageously humongous 110-inch Ultra HD TVs. The price? Just over $150,000.

The 110-inch behemoth, first shown off at CES 2013, has now been unleashed on the public. The move is just the latest in a litany of Ultra HD one-up competitions between Korean electronics powerhouses Samsung and LG. LG revealed a similarly sized 105-inch curved 4K TV in mid-December, while Samsung followed the very next day with its own eerily similar model. This time Samsung struck first, marking a new era in monster-sized home Ultra HD viewing with its regally priced new set.

Recommended Videos

Apart from South Korea, the new 110-inch TVs will be available in China, Europe, and the Middle East. CBS reports that residents of the latter region have already put in 10 orders for the new TVs. Pricing and availability for the US market have not yet been officially announced and will likely be revealed at the International CES 2014 show in Las Vegas next week. 

Samsung 110 Ultra HD angle
Image used with permission by copyright holder

As Digital Trends recently reported, Ultra HD TVs (also known as 4K TVs) have become the leading new television technology and shipments are predicted to grow ten fold in 2014, with prices dropping rapidly. Meanwhile OLED displays, often touted as the future of HD, continue to tread water, evidenced most recently by news that Panasonic and Sony will be pulling out of a joint venture to develop cost-effective OLEDs for mass production.

Ultra HD TVs have some advantages, including a resolution that is 4 times that of 1080p HD displays, but the TVs are plagued with both a lack of viable content, and content delivery challenges. OLED, on the other hand, uses organic light emitting diodes situated between two electrodes to display regular 1080p content with astonishing black levels, and vividly rich color saturation, dazzling the eye without needing to alter the content source.

Still, even with new printing technologies that promise to lower the cost, and raise stability of OLED TV technology substantially, the displays continue to elude the grasp of the viewing public. Samsung and LG may talk a good OLED game, with several OLED showcases at trade shows, but as the events of the last few weeks leading up to CES can attest, the proof is in the pudding: for now Ultra HD remains the big kahuna of HD displays.

Hopefully, the same folks who can afford Samsung’s new behemoth can also afford to put some money into pushing for more 4K content, as well as a better infrastructure for delivery of the bandwidth-intensive content. For now, we’re just excited to get a look at all these new Ultra HD wonders in a few short days in Las Vegas. Follow along with us next week to find out just how crazy a UHD TV that measures around 8.5 by 6 feet looks in person.

Ryan Waniata
Former Home Theater & Entertainment Editor
Ryan Waniata is a multi-year veteran of the digital media industry, a lover of all things tech, audio, and TV, and a…
A guide to Sony’s 2026 TVs and home theater lineup
Sony’s latest BRAVIA lineup introduces True RGB technology alongside new TVs and home theater audio products.
BRAVIA 7 II

Sony thinks it may have cracked the code for home theater this year. The company is not just launching new TVs. Instead, it is rethinking how televisions create color with a new technology called True RGB, while also expanding its home theater lineup with products like the BRAVIA Theater Trio. After getting an early look at the lineup in New York, it became clear why Sony believes True RGB could be one of the biggest stories in its 2026 portfolio.

The technology was the centerpiece of Sony's presentation, but the broader message was equally interesting. According to the company, many premium TVs are still optimized for ideal viewing conditions rather than the environments where most people actually watch television. Sony shared data suggesting that only around 13% of viewers watch content in settings similar to a movie theater or professional grading suite. The remaining 87% are watching in bright living rooms, open floor plans, and spaces where lighting conditions constantly change throughout the day.3

Read more
Sony’s new 135-inch display is basically boardroom excess in its finest form
Sony’s 135-inch Crystal LED UNIFY is a massive screen built for serious work
Sony Crystal LED Unify in a meeting room

Sony Electronics is making a massive upgrade to the humble meeting room screen. The company has just unveiled Crystal LED UNIFY, a massive 135-inch all-in-one direct-view LED display designed for boardrooms, meeting rooms, community spaces, and higher education environments.

At a glance, it might look like Sony's next massive flagship living room TV, but it's cutting edge display tech arriving to the office space. It is part of Sony’s professional display lineup and sits alongside its existing BRAVIA Professional Displays and Crystal LED portfolio. The model number is ZRL-135SG, and Sony is positioning it as a simpler way for organizations to add a large dvLED display without dealing with the usual complexity of custom LED wall projects.

Read more
Marshall’s new Stockwell III fixes the problem most Bluetooth speakers ignore
Electronics, Speaker, Person

For years, Bluetooth speakers have followed a familiar formula: better sound, longer battery life, maybe a splash of waterproofing, and then onto the next model. Marshall’s new Stockwell III certainly checks those boxes, but its most interesting upgrade isn’t about audio at all. It’s about staying alive longer.

The Stockwell III arrives as Marshall’s first refresh of the portable speaker since 2019, carrying forward the same road-ready design with its signature carrying strap and retro-inspired aesthetic. At first glance, it looks like a predictable update. Underneath, however, Marshall is making a subtle but meaningful shift toward repairability.

Read more